Hello Everyone, and Happy Halloween!
A few days late.
Already my mind and the mall are quickly shifting into Christmas Mode, but before the ghosts fully depart from our mortal plane I wanted to share a few pieces that I made (or at least started) in October. That one up top is some Halloween Day fanart of one of my favorite Pokemon, Chandelure. Love its color palette, its Fire/Ghost typing, and (laugh all you want) the fact that it's a gothic haunted CHANDELIER. This piece took a few extra days to complete cause I wanted to try some new things with the coloring. Just one more step in my perhaps eternal journey to capture the playful simplicity of Louie Zong's work. These next ones are some Harry Potter doodles I did while watching the movie with some RA friends. I usually don't draw during movies, but I've seen Sorcerer's Stone a fair amount and drawing also helps me to feel a little more comfortable in new situations and friendgroups - kinda like a security blanket made of scribbles. Also I haven't drawn a lot of HP and now felt like the right time to draw some cloaks and capes.
a dumble
a snep
I decided to keep just the initial sketch layer with some color underneath - I've found myself doing that an awful lot recently. One critique I've been commonly getting is that my clean-up line loses a lot of the life and spontaneity of the sketch and becomes too noodley. I can't see it as easily, but I agree. So the obvious solution is to ditch the clean-up line entirely, right? Right? But I also have a fair amount of construction lines in the initial sketch that shouldn't be in the final image. Oh bother.
. . .
I'm in a comfortable calm-between-two-storms moment in the semester. Last week was crazy with RA events and Halloween socializing. If I wasn't working an event, I was attending one. There were chili and ghost stories on Halloween, and an intense dodgeball tournament in a dorm courtyard the next night. But now Halloweek is over, I've been given a time of rest, and finals are just far enough away where I haven't started to worry about them yet. Which meant that this weekend I had only ~3 hours of homework to do. An absolute rarity. I didn't have a lot of motivation to draw, so I just did nothing. Which felt very wrong, yet also kinda needed? Everything I've read from animation pros in the industry talks about their insane work ethic and willingness to hone their craft in seemingly every possible moment. And so as an animation student with a lot to learn and a lot to prove, any quiet moment feels like a wasted one. Even when homework is minimal, there's still books I could be reading, sketches I could be completing, personal projects I could be progressing - you get the idea. So to do nothing, even for a weekend, feels a little like a hit to my future career. Like I'm being lazy. But that can't be the way people are supposed to live. I believe in the importance of stillness, solitude, of things other than animation. So where do those fit into the get-a-job-in-cartoons plan? It's a balance I've been trying to discover since I showed up here at Lipscomb.
But for better or for worse, I put art on the backburner this weekend. I spent hours talking with friends. I sat outside and looked at trees, and talked to the people who stopped by. I played Splatoon 2. Made muffins. Got kinda lost with friends in the woods after dark. Things happened, but they weren't art things. Career things. Or resume things.
Of course, if I did this every weekend it might create problems. But perhaps those hard-workin pros have weekends like this as well? And maybe it's not just a rat race scramble out to a Hollywood job, but a journey with time for rose-smelling and side-quests? Maybe it's more like Ecclesiastes suggests, where there's a time for everything? A time to draw, and a time to not draw.
What do you think, bloggerfolk?
-dh
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